McIntosh MA6200 Vintage Integrated Amplifier with Dual Phono Inputs
Pickup available at SkyFi 479
Usually ready in 24 hours
McIntosh MA6200 Vintage Integrated Amplifier with Dual Phono Inputs
479 South Broad Street
Glen Rock NJ 07452
This is only the 3rd MA6200 to come to the shop! We're always impressed by the features, design, and great looks.
Integrated amplifiers are very desirable these days and we rarely have more than one or two in stock. It was great to see a McIntosh integrated come in, especially from this era which is rare. We mostly see models from the 2000's on.
Great features include a built-in 90W amplifier with that signature sweet McIntosh sound, a very capable 5 band equalizer, McIntosh Power Guard, dual phono inputs, dual tape loops, and loudness control.
This example was serviced in house and is working properly.
If you want to complete the vintage look with a proper McIntosh wood cabinet we have several available on our store as of this listing writing.
Condition is coservatively rated at a 6. The faceplate is more like a 7, but the top cover does have some cosmetic flaws bring it down to a 6.
• Traced bad preamp channel to very dirty Tape 1 switch
• Removed amp modules and recapped with acceptable parts
• Recapped power supply
• Replaced lamps
• Replaced power cord
• Recapped tone board
• Cleaned and detailed unit
• Recapped phono stage
• Tested all functions
McIntosh Laboratory is an American manufacturer of handcrafted high-end audio equipment based in Binghamton, New York. The company was founded in 1949 by Frank McIntosh. The company designs and produces audio amplifiers, stereo tuners and other consumer electronics products.
All RCA Inputs and Outpus. Captive power cord. Spring terminals for speakers.
Smooth, uncolored, undistorted natural and clean
6/10 = Fair. Three to four minor scratches, or one major scratch.. See our detailed rating description here.
Working perfectly and tested in our lab and listening room.
Just the unit and power cord.
Will be packed using our highly developed in-house process and custom packing materials.Weight:
Link to Manual:
Kimber Kable - RCA Interconnects - Better
Kimber Kable - Phono Interconnects - Better
We start with a visual inspection of all internal components to make sure that there are no signs of heat stress or damage. Capacitors are checked for telltale signs of predictive failure including bulging, shrunken wrappers, or physical leakage. We also inspect the PCB’s for discoloration from resistors or transistors that may have been running hot. On vintage units we often spot check select capacitors for value and ESR.
When we first power on a preamplifier we connect its RCA output to a Sencore PA81 Power Analyzer which simulates real world loading conditions and gives us an oscilloscope interface. The first order of business is checking that the volume control works smoothly throughout its entire range with acceptable channel balance. This is accomplished by feeding a 1KHz sine wave into one of the preamp’s line level inputs while monitoring the preamp’s output on an oscilloscope. We then switch to a 1KHz square wave to test the tone controls, loudness function, and filters where applicable. During this step we are watching for equal alteration of the test signal by both channels. This also helps us identify dirty controls that will need treatment. Once the basic line stage functions are verified, we test each input individually. This is especially important for devices that use relays to select their sources. If the preamp is equipped with a phono stage we test that as well. We use an inverse RIAA filter which allows us to feed a reference test signal into the phono input with the proper RIAA equalization and level. A square wave or sine sweep is used to verify that the device’s phono stage is faithfully reproducing the RIAA curve. If the preamp under test has balanced inputs and/or outputs these are tested as well.
We finish up our bench testing with a listening test with our bench amplifier and reference speakers. During this test we check for hum or hiss that may not have shown up in earlier testing. We also check that all of the tone controls and filters perform as expected. If the preamplifier has remote control functions these are also tested. Preamps with tube circuits or complicated power supply topologies are connected at our long term test rig for extended stress testing under real world conditions.
The SkyFi Testing Process for Solid State Amplifiers:
We start with a visual inspection of all internal components to make sure that there are no signs of heat stress or damage. Capacitors are checked for telltale signs of predictive failure including bulging, shrunken wrappers, or physical leakage. We also inspect the PCBs for discoloration from resistors or transistors that may have been running hot. On vintage units we often spot check select capacitors for value and ESR.
If the amplifier passes visual inspection, we move on to a controlled power on sequence using a Sencore safety analyzer to monitor current draw in real time. Once the amplifier is determined to be safe to operate, we connect it to full AC mains for function and power testing. We connect the speaker outputs of the amplifier to a Sencore PA81 Power Analyzer which acts as a dummy load, DC offset monitor, and oscilloscope interface. We start with a low level 1KHz test signal at the amplifier’s input and slowly increase its amplitude while monitoring the output on an oscilloscope for signs of noise, clipping, distortion, or improper channel balance. We continue increasing the signal level until the amplifier reaches clipping. At this point we take an output power measurement and compare it to the spec sheet of the amplifier to verify proper performance. If the device under test has both balanced and single ended inputs they are both tested at this time. We finish off the bench evaluation with a 1KHz square wave check and a 20Hz to 20KHz sine sweep to assess the amplifier’s frequency response characteristics. This battery of tests will usually reveal if the amplifier has any issues that need further attention.
Before the device leaves the bench, we perform a listening test with actual music using a variety of preferred test tracks. Our benches are outfitted with familiar monitor speakers which help us identify inconsistencies that will not always show up on our test gear. The main things that we are listening for are hum or noise with no signal present, proper center image, clicks, pops, or any other obvious undesirable audio characteristics.
If the unit passes all of these tests it is moved to our long term testing rig where we simulate real word operating conditions for 6-8 hours. This allows us to monitor the unit for signs of thermal runaway or intermittent issues that only crop up when the unit has fully come up to temperature.